From my Playwright at Liberty blog
When I first heard that Mel Brooks’ wildly uneven but utterly original 1968 comedy The Producers was being developed as a stage musical. my heart sank. Another adaptation of a movie? This was only in 2000, remember, long before the mad rush to plaster the entirety of Broadway with pre-sold movie titles and “jukebox” shows, yet the trend had already planted its pernicious roots, due largely to the flowering of Michael Eisner’s beloved “synergy”: Beauty and the Beast, The Lion King. It now routinely requires two dozen named producers to mount the average musical in New York; a movie company can spend and spend (and spend) in the theatre, and its investment will still be, comparatively, minimal, even relatively painless.
My apprehension for this particular show was largely alleviated when I discovered that Brooks himself was writing the score, and co-authoring the book. Since Brooks has written delicious songs for most of his movies (including of course…
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