1776 (1972)

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By Scott Ross

As a screen musical, it isn’t entirely among the finest. It’s a bit lumbering at times, and a couple of the “big” numbers (“The Lees of Old Virginia” chief among them) are exactly the sort of thing that justifies the biases of people who hate musicals to begin with.

But this movie version of the wildly successful 1969 Broadway musical came along at a particularly propitious moment for me; at the age of 11 it turned me on to theatre, musicals, John Adams and American history, and will thus always hold a special place in my heart. In addition, it features virtually the entire cast of the original New York production (or their replacements) and — especially in its recent reconstruction for laser disc and DVD — transcribes pretty much the entire show. (Jack Warner removed one particularly pungent number, “Cool, Considerate Men,” at the behest of Richard Nixon — yet another reason, if one were needed, to despise Tricky Dick.)

Chief among its pleasures are the dogged Adams of William Daniels, Howard da Silva’s pugnacious Ben Franklin, the delectable Blythe Danner as Martha Jefferson, and a (largely) superb score by Sherman Edwards. Peter Stone wrote the often very witty script. The superb orchestrations are by the great Eddie Sauter. The only disappointment for aficionados of the original show may be the otherwise splendid John Cullum’s rendition of the incendiary “Molasses to Rum.” Compare Cullum’s performance to Clifford David’s on the original cast recording: Cullum is impassioned, but David’s almost uncontrolled ululating is absolutely hair-raising.

Text copyright 2013 by Scott Ross

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